This is a fairly open category that contains articles about people, photography, and associated topics in which I have an interest and that have influenced my thinking and practice. They will usually relate to my understanding and appreciation of the medium, its history, and the way it is used. It is a kind of ‘blog’ except that these articles are often not connected to any timeline. Oh, there is a Blog too, which contains some current musings.
But first, it seems that every site must have some autobiographical statement to put the author in context, so here’s mine.
This article is the text of the lecture delivered by the late Bill Jay on 3 July 1980, at the Newport Art Gallery, Newport, Gwent, under the aegis of the Documentary Photography Course at Gwent College of Higher Education, during a short visit to the UK. It is reproduced from The British Journal of Photography where it appeared in July 1980.
Jay was then Associate Professor of Art History at Arizona State University and, before leaving the UK for the USA in 1972, he was a significant catalyst in the development of the resurgence of photographic fine art and the self-expressionist movement at the beginning of the ’70s. He was, for a time, the editor of Camera Owner magazine and engineered its transformation into Creative Camera during his tenure.
In 1984, on one of his return visits to the UK, Bill Jay was interviewed by Rob Powell for The British Journal of Photography. The entire interview is reproduced here and may be downloaded as a PDF scan .
(The PDF contains some uncorrected spelling & typographical errors resulting from the OCR process)
Years ago, I came across a tattered little book entitled ‘Wayside Snapshots’ in a second-hand bookshop. Looking through it, I was quite taken by the style and approach of some of the photographs. It was by a photographer I’d never heard of – Hugo van Wadenoyen. It was published in 1947, I shelved it with my other photobook curiosities and forgot about it for a while. Continue reading “Hugo van Wadenoyen (1892-1959)”
In an article by Robert Elwall, included in this site, he makes reference to a copy of The Saturday Book, Number 3, published in 1943. His reference relates to the fact that this edition contained an article about the photographer Frederick Evans, still alive at the time of writing, that was illustrated by reproductions of his photographs printed by the photogravure process, something that was rarely done due to its cost and certainly a one-off for The Saturday Book.
How can a small village in Hertfordshire be linked to mermen and London’s third airport?
In 1969, as part of the organised opposition to proposals to site London’s third airport at one of four locations in the Eastern region, the Nuthampstead Preservation Association commissioned the author and historian Olive Cook to compile a study of a typical village in the area threatened by the plans. She chose the village of Anstey and engaged her husband, the photographer Edwin Smith, to record a cross-section of the village environment and its residents. Anstey was chosen because: “…its topographical, architectural and sociological features seemed to typify those of the whole district…“.
Christopher Alexander, architect, is also the founding father of the Pattern Language movement in computer science, and author of A Pattern Language, the seminal work that was perhaps the first complete book ever written in hypertext fashion. The page on my old website that referenced his ‘Elements of Style’ got a surprising number of hits, so I’ve decided to include it here.