When I was seeking information on the seminal 1967 photographic exhibition Modfot One I corresponded with Sir George Pollock at some length. He was most helpful and provided a wealth of photocopied information as well as many of his own recollections in response to my queries.
It seemed most appropriate to reproduce these recollections almost verbatim, as they give a concise background to the origins of the show and the climate for photography at the time. I have included my questions, followed by Sir George’s responses.
In January 2010, I watched a hugely entertaining TV programme about the photographer Duffy (1933-2010): ‘The Man Who Shot the 60s‘ (read about it on BBC iPlayer, watch it on YouTube – five sections). I’ve always been a great admirer of the work of Brian Duffy, who died later that same year.
In 1971, the late Peter Soar, a Cambridge solicitor and keen amateur photographer, set about recording the last days of the parts of Cambridge city centre destined to be demolished to make way for major redevelopment.
He also photographed the area during construction and after most of it was completed. The resulting photographs are published here for the first time in three sets. The first taken mostly before or at the start of redevelopment; the second during; and the third when it was nearing completion. Continue reading “Peter Soar – Cambridge 1970s”
Christopher Alexander, architect, is also the founding father of the Pattern Language movement in computer science, and author of A Pattern Language, the seminal work that was perhaps the first complete book ever written in hypertext fashion. The page on my old website that referenced his ‘Elements of Style’ got a surprising number of hits, so I’ve decided to include it here.
My memory is a bit vague, but the exhibition entitled ‘The Land; Twentieth Century Landscape Photographs‘, at London’s Hayward Gallery in 1975, was most likely the first major photographic exhibition that I ever visited.
It was certainly the first exhibition to leave a lasting imprint on me – and my visual awareness.
Selected by Bill Brandt, it comprised 200 photographs of landscape from which he selected 48 to be included in the accompanying catalogue published by Gordon Fraser.
This is a fairly open category that contains articles about people, photography, and associated topics in which I have an interest and that have influenced my thinking and practice. They will usually relate to my understanding and appreciation of the medium, its history, and the way it is used. It is a kind of ‘blog’ except that these articles are often not connected to any timeline. Oh, there is a Blog too, which contains some current musings.
But first, it seems that every site must have some autobiographical statement to put the author in context, so here’s mine.
Years ago, I came across a tattered little book entitled ‘Wayside Snapshots’ in a second-hand bookshop. Looking through it, I was quite taken by the style and approach of some of the photographs. It was by a photographer I’d never heard of – Hugo van Wadenoyen. It was published in 1947, I shelved it with my other photobook curiosities and forgot about it for a while. Continue reading “Hugo van Wadenoyen (1892-1959)”
Published in the January 1969 issue of Creative Camera magazine was a major portfolio of Robert Frank’s photographs from his seminal work ‘The Americans‘. This was done to mark the publication of the second edition of the book, which was already described in the magazine as “the most famous photo-essay ever produced” and “An essential book for every photographer.” Like the majority of photographers, regardless of interest in any particular genre, I was impressed by Frank’s work.Continue reading “Robert Frank in Creative Camera”