Photography is a curious, pluralistic medium: part art and part science; the stuff of both holiday snaps and glossy advertising; accessible to the raw novice yet capable of calling on the highest skill levels; a medium for literal visual documentation of our world and a way of exploring our personal inner visions.
Its mass appeal lies in this diversity and the challenge of reconciling its many forms into a unified statement of the medium’s potency. The Cambridge Darkroom rose to that challenge. Continue reading “Cambridge Darkroom – Introduction”
St Matthews Photo Workshop
In October 1978 six people with a passion for photography met in the Dewdrop Inn Public House, Gwydir Street, Cambridge to form the St Matthews Photo Workshop. The Workshop group published four aims:
- to make a photographic record of the people and buildings of the St Matthews area [an undeveloped Victorian inner-city part of Cambridge, UK]
- to explore the particular social and environmental qualities of the area through photography
- to make people in Cambridge more aware of the qualities of the area through photography; and
- to find and record old photographs of the area.
Continue reading “Beginnings”
The Cambridge Darkroom was formally constituted as a company limited by guarantee on 11th January 1984. The objects for which the company was established were stated as:
‘to further and advance the education of the public in the art of photography and to promote public knowledge, appreciation and understanding thereof.’
Continue reading “The First Five Years”
The writers ceased to be involved in the day-to-day administration of the gallery from 1990 onwards, hence the material available for this later history is rather sparse. We would welcome contributions from anyone involved during these years. Please contact the author via the contact form.
Continue reading “The Later Years”
The Cambridge Darkroom was something of a paradox. It was small, under-funded, provincial and committed to its local and educational roots, yet for much of its life it enjoyed a national and international reputation at the forefront of photographic art practice.
Continue reading “In Summary”
This listing is as complete as can be determined from the records we have available at the moment. If you are able to fill in any of the gaps or suggest corrections, please get in touch.
Continue reading “Shows 1984–1996”
Produced in 2004 and published by Creative Camera, this sketched outline by David Brittain aimed to show the key survey exhibitions, institutions and publications that formed the backbone of the British photography scene. Continue reading “Family Tree of British Photography”